GARAP KENDHANGAN MATUT ADEGAN KLANA TOPENG DALANG KLATEN

Widiatmoko, Yusuf (2020) GARAP KENDHANGAN MATUT ADEGAN KLANA TOPENG DALANG KLATEN. S1 thesis, Institut Seni Indonesia (ISI) Surakarta.

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Abstract

This art thesis presents, describes and analyzes the work of the musical instruments from the village style. The material taken is the accompaniment of the Klana Topeng Dalang Klaten scene, the gending’s: Jengkrik Genggong, Liwung Nem, Bendrong, Genjong, Eling-eling, Kebogiro Tlutur, Ayak-ayakan, Sampak Manyura. Two problems were raised (1) how to work on the strings? (2) why did the repertoire of the repertoire become one unit? The two problems are studied according to the concept of working on, the concept of gait gait, the concept of pamijen and the concept of dynamics. The data were collected through literature study, interviews, and observations. The next stage of cultivation, which is carried out in the form of independent and collective training, is then presented for further description and analysis. The analysis and descriptions were carried out in the form of working on repertoire and kendhangan. In addition to this, the author tries to gather information related to the Klaten puppeteer mask. The analysis related to the gending shows that, Klana's scene is in transition between the sanga pathet and the manyura pathet. The analysis and description of Klana's gait drums shows that these are the gaiters. The results of the description of the gending show that the work is unique, namely working on the wiled rhythm on Eling-eling ladrang. The results of the presentation, description and analysis of the Klana scene that the author presents, the writer hopes that these works can continue to be preserved by the next generation.

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