GARAP KENDANG: GENDING MRABOT SONGGENG, LARAS SLENDRO PATHET SANGA

Rinto, Rinto (2019) GARAP KENDANG: GENDING MRABOT SONGGENG, LARAS SLENDRO PATHET SANGA. S1 thesis, Institut Seni Indonesia (ISI) Surakarta.

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Abstract

The thesis of art works tries to present and analyze garap Kendang gending mrabot Songgeng, laras slendro pathet sanga Two problems raised in this thesis are: (1) how to work on the kendangan in each piece: and (2) why are the five repertoires of gending presented sequentially in a single unit working on musicians? These two problems rules of kendangan, the concept of pathet, and the concept padang ulihan. Research data were collected through literature studies, document studies, and interviews with a number of musical artists. The result showed that gending Mari Kangen, Songgeng, Tirta Kencana, Ayak Mijil Larasati, srepeg sanga. Has difeferent forms and types, including: jineman, gending, ladrang, ayak-ayak, and srepeg sanga. Each of these gending aside from having its own character and taste, also has a different type, cengkok, kendang. The different characters of gending and kendang is combined in asequence of offerings, intended, to produce forms, types, cengkok, kendang flavors that vary in a single musical concert.

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