SOLAH-EBRAH CONCEPT ANALYSIS OF LOCAL MOTION DANCE OF JAVA

Slamet, Slamet (2016) SOLAH-EBRAH CONCEPT ANALYSIS OF LOCAL MOTION DANCE OF JAVA. In: PROCEEDING “We Feeling” in Dance: A Manifest of Intercultural Values. ISSN 2548-9755 . Pusat Studi Tari Dunia ISI Surakarta, Surakarta, pp. 123-136.

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Abstract

Solah-Ebrah as a shaper of choreography in a dance of Java is very important in a study of dance. Review or examine the dance should not be looking for a taxi dance work of others. Talking about his own work as a researcher who focus on the process of feeling and understanding the experiences of dancers and dance coaches in different form. Choreographers at once dance researcher can describe the relationship between data and parallel forms of movement as a raw material. Data obtained as the result of a process of interaction in person, interview and his observations directly stored in its data. Researching on Dance choreography Java or Java is not detached called solah-ebrah. Solah was a movement or action ketubuhan in the form of a preparation, the arches, the tempo toward the fast and slow of which it formed a movement include path, volume and level. Thus the definition of dance is the motion of the body. People often call with solah, are forms of embodiment itself in Java called ebrah. Examine the Java is a form of Dance choreography that has possess benchmark benchmark-raw, so in the choreography of Java a lot more preparation than motion motifs composing the new motion.

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