TARI BAJUL MAHAMBARA KARYA WIJANARKO DI KABUPATEN SRAGEN

Puspitasari, Dian (2018) TARI BAJUL MAHAMBARA KARYA WIJANARKO DI KABUPATEN SRAGEN. S1 thesis, Institut Seni Indonesia (ISI) Surakarta.

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Abstract

The research entitled "Tari Bajul Mahambara Karya Wijanarko di Kabupaten Sragen" is a new creation composed by Wijanarko which focuses on choreographic analysis and working on Bajul Mahambara Dance. This research aims to describe choreography and work on Bajul Mahambara dance. Basically assumption that Bajul Dance The Mahambara is composed by Wijanarko based on the dance style of Surakarta style that is packed through the process of development. The problems that are studied in this research are how to choreograph Bajul Mahambara Dance by Wijanarko in Sragen Regency; & How to work and the formation of Wijanarko's motion in composing Bajul Mahambara Dance. To answer these problems, this researcher uses several analytical blades such as the concept of choreography according to Y. Sumandiyo Hadi there are elements of choreography that is; 1) dance title, 2) dance theme, 3) dance description, 4) dance moves, 5) dance room, 6) dance music, 7) dance type, 8) fashion or way of presentation, 9) dancer, and 10 ) dressing and costumes (2003: 60-74) and Rahayu Supanggah about the concept of work that includes; (1) Garage material, (2) Cultivator, (3) Facility, (4) Determination or determination, (5) Consideration Garap. The method used qualitative, observation, study library. The results showed that choreographed Mahajara bajul dance entered in Surakarta style gagah dance which is formed from choreographic motion elements and work on Bajul Mahambara dance and use a crocodile and crocodile dress that uses crocodile-like rhythms as well as vocal dominance and pattern in the cultivation gendhing. The conclusion of this research Bajul Mahambara Dance using motion motion which is the development of traditional dance motif style Surakarta in included with the development of motion in Bajul Mahambara Dance.

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