Rekonstruksi Tari Bedhaya Endhol-endhol di Keraton Kasunanan Surakarta Hadiningrat

Herawati, Kezia Putri and Prihatini, Nanik Sri (2018) Rekonstruksi Tari Bedhaya Endhol-endhol di Keraton Kasunanan Surakarta Hadiningrat. Jurnal Panggung, 28 (2). pp. 230-243. ISSN 0854 - 3429

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Abstract

The Bedhaya Endhol-endhol dance was created by Paku Buwono X and performed exclusively by the king’s daughters. After his death, the dance was no longer performed and its form was no longer known. The goal of this research is to reveal the process of reconstruction of the Bedhaya Endhol-endhol dance, as carried out by Gusti Kanjeng Ratu Wandansari, and to describe the form of the dance. The research method used is a qualitative method with an ethnochoreological approach. The results of the research show the process of reconstruction, including the concept and the process of unearthing the music, or gending, and the dance movements. The arrangement process involved the interpretation of all the different components making up the Bedhaya Endhol-endhol dance, in order to create a new form of bedhaya dance that is childlike (mbocahi). The new form of Endhol-endhol resulted from its reconstruction shows that Gusti Kanjeng Ratu Wandansari has used her authority to restore the dance that had formerly disappeared.

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