KEPENARIAN SUWITRI DALAM TARI TOPENG DI SLARANG LOR, DUKUHWARU, KABUPATEN TEGAL

Nugroho, Fatkhudin Tri (2015) KEPENARIAN SUWITRI DALAM TARI TOPENG DI SLARANG LOR, DUKUHWARU, KABUPATEN TEGAL. Jurnal Greget, 14 (1). pp. 22-31. ISSN 1412-551X

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Abstract

The research entitled The Artistry of Suwitri in Masked Dance in the Village of Slarang Lor in the Dukuhwaru District of Tegal discusses the process of Suwitri’s artistry as a masked dancer in Slarang Lor and Suwitri’s performance inTari Topeng Slarang Loror the Masked Dance of Slarang Lor. The method used in this research is qualitative interpretative. The techniques for data collection include observation of recordings and direct observation, supported by a library study and in-depth interviews. The theoretical foundation for uncovering the process of Suwitri’s artistry uses the theories of Habitus and Pierre Bourdie while the study of Suwitri’s performance uses Janet Adshead’s dance analysis and the artistic demands for performing masked dance, which include ngrungokena kendhang, gerakane kudu pas karo pakem, and ndelengna raineng topeng, or listening to the sound of the drum, making sure the movements follow the rules, and watching the face of the mask. Suwitri is the only masked dance maestro who is able to perform 6 different characters, as a result of her artistic background andthe process through which she learned to dance to a level at which she has been affirmed as a maestro of Slarang Lor Masked Dance. Keywords: Artistry, Suwitri, Slarang Lor Masked Dance

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