eprintid: 7880
rev_number: 7
eprint_status: archive
userid: 24
dir: disk0/00/00/78/80
datestamp: 2025-10-24 08:34:50
lastmod: 2025-10-24 08:34:50
status_changed: 2025-10-24 08:34:50
type: monograph
metadata_visibility: show
creators_name: Yanuar, Dani
creators_name: Purwanto, Sigit
creators_name: Fauzan, Ullum Fadilla
title: TRANSLITERASI MUSIKAL TEPAK KENDANG
TERHADAP SIKAP GERAK PESILAT
DALAM KESENIAN KENDANG PENCA
ispublished: pub
subjects: AM
divisions: sch_civ
full_text_status: public
monograph_type: project_report
keywords: Kendang Penca, Transliteration, Tepak Kendang, Luyu Concept
abstract: Kendang Penca is an art form that presents a complexity of interactions between
the movements of fighters and the patterns of tepak kendang. The interaction
between the two shows the connection between the language of movement and the
language of music in building the concept of harmonious performance. From this
interaction, the phenomenon of transliteration emerges, namely the process of
translating the language of motion into the language of music, which in this case
is the tepak kendang pattern. This research aims to reveal the process of
transliterating the sound of tepak kendang music to martial arts movements in the
Kendang Penca performance art. The problem posed is how the tepak kendang
pattern and how the transliteration of the tepak kendang sound to the movements
of the fighter is carried out. The theoretical concept of transliteration as part of
the discipline of philology is used as a theoretical basis for examining research
problems, while qualitative research methods with an ethnographic approach are
used to guide researchers in extracting data, interpreting, and finding research
conclusions. The results of this study reveal that the transliteration process
carried out by the rider is framed by the concept of luyu aesthetics, so that the
expression of the tepak kendang pattern presented is at the level of the perspective
of appropriateness of the community supporting the art of kendang penca.
date: 2024-10-30
date_type: completed
publisher: ISI Surakarta
place_of_pub: Surakarta
pages: 60
institution: Institut Seni Indonesia Surakarta
department: Fakultas Seni Pertunjukan
official_url: https://repository.isi-ska.ac.id
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citation:   Yanuar, Dani and Purwanto, Sigit and Fauzan, Ullum Fadilla  (2024) TRANSLITERASI MUSIKAL TEPAK KENDANG TERHADAP SIKAP GERAK PESILAT DALAM KESENIAN KENDANG PENCA.  Project Report. ISI Surakarta, Surakarta.     
document_url: http://repository.isi-ska.ac.id/7880/1/lap_akhir_%20Dani%20Yanuar%20dkk%20-%20UP.pdf