eprintid: 7717
rev_number: 7
eprint_status: archive
userid: 24
dir: disk0/00/00/77/17
datestamp: 2025-08-21 02:54:07
lastmod: 2025-08-21 02:54:07
status_changed: 2025-08-21 02:54:07
type: monograph
metadata_visibility: show
creators_name: Setiawan, Aris
title: KOLONIALISASI, NASIONALISME DALAM MUSIK GAMELAN,
DAN PERUBAHAN ESTETIKA DARI FELT TIME KE CLOCK TIME
ispublished: unpub
subjects: AM
divisions: sch_civ
full_text_status: public
monograph_type: project_report
keywords: musik, gamelan, eropanisasi, seni akademis, felt time, clock
time, formal, informal.
abstract: Kolonialisasi oleh Belanda di Jawa membawa impian agar gamelan -musik
tradisi- mampu berposisi sejajar musik klasik Eropa. Kaum pribumi
(terjajah) memandang musik klasik barat memiliki puncak pencapaian
estetika tertinggi karena tertulis, formal, berhasil dirumuskan, dihitung
(metronomik), dan mengandalkan logika. Sementara musik gamelan
sebaliknya, berkembang secara informal, tidak tertulis, tidak terumuskan,
dan mengandalkan perasaan terdalam musisinya. Upaya mensejajarkan
gamelan dan musik barat sarat dengan kepentingan politik, agar secara
budaya -musik- Indonesia tidak ikut terjajah oleh Belanda. Puncaknya
adalah pendirian sekolah formal gamelan (meniru gaya serupa -sekolah
musik- di Eropa). Tetapi hal itu membawa persoalan lain, sekolah gamelan
itu mengakibatkan musik gamelan harus dituliskan, dirumuskan, dihitung,
dan menjadi formal. Hal ini membawa perubahan karakter musik gamelan
bercitarasa Eropa, dari musik yang dirasakan (felt time) menjadi musik
yang dilogikakan (clock time). Pada musik gamelan, lahir pula apa yang
disebut “seni akademis” dengan kesan rapi, kompleks, dan konon berciri
modern. Penelitian ini menggunakan pendekatan sejarah untuk membaca
peristiwa masa lalu sebagai data yang dirajut dan dimaknai di masa kini.
Pendekatan sejarah itu dipadukan dengan pendekatan etnomusikologi,
untuk melihat bagaimana musik memiliki kontekstualisasi dengan polemik
kebudayaan, intrik politik, dan sarana perlawanan terhadap kolonialisme.
Hasil akhirnya adalah catatan-catatan kritis, tentang upaya mengeropakan
musik gamelan ternyata penyisakan banyak persoalan hingga kini.
date: 2022-11-09
date_type: completed
publisher: ISI Surakarta
place_of_pub: Surakarta
pages: 85
institution: Institut Seni Indonesia Surakarta
department: Fakultas Seni Pertunjukan
official_url: https://repository.isi-ska.ac.id
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citation:   Setiawan, Aris  (2022) KOLONIALISASI, NASIONALISME DALAM MUSIK GAMELAN, DAN PERUBAHAN ESTETIKA DARI FELT TIME KE CLOCK TIME.  Project Report. ISI Surakarta, Surakarta.    (Unpublished)  
document_url: http://repository.isi-ska.ac.id/7717/1/2.%20Lap%20%20Akhir%20-%20Lektor%20Kep-%20Aris%20Setiawan%20-%20UPLOAD.pdf