eprintid: 7551 rev_number: 8 eprint_status: archive userid: 15 dir: disk0/00/00/75/51 datestamp: 2025-07-30 05:49:54 lastmod: 2025-07-30 05:49:54 status_changed: 2025-07-30 05:49:54 type: monograph metadata_visibility: show creators_name: Pambayun, Wahyu Thoyyib creators_name: Siswanto, Bambang creators_name: Muzaki, Dwiki Akhsan title: GENDERAN ADA-ADA NGOBONG DUPA GAYA SUMIYATI: ANALISIS TEKNIK, POLA DAN DINAMIKA ispublished: unpub subjects: AI divisions: sch_che full_text_status: public monograph_type: project_report keywords: Genderan, Ada-Ada Ngobong Dupa, Penggender, Sumiyati abstract: This research was motivated by researchers' admiration for the virtuosity and uniqueness of Sumiyati's style gender. This research is entitled "Genderan Adaada Ngobong Dupa Gaya Sumiyati: Analysis of Techniques, Patterns and Dynamics". The problem that will be elaborated in this study is how the techniques, patterns and dynamics used by Sumiyati in presenting genderan ada-ada ngobong dupa. This research is a qualitative research that uses descriptive analysis research methods. The analysis is carried out with several stages, namely: perceptive listening, participatory observation, transcription, identification of techniques, patterns, dynamics and drawing conclusions. The goal to be achieved in this study is to provide an understanding of the techniques, patterns and dynamics used by Sumiyati in presenting the Genderan Ada-Ada Ngobong Dupa. The results of the study will be used as teaching materials for the Tabuh Sendiri (TS) Gender and Karawitan Pakeliran courses date: 2022-11 date_type: completed publisher: Institut Seni Indonesia Surakarta place_of_pub: Surakarta pages: 52 institution: Institut Seni Indonesia Surakarta department: Fakultas Seni Pertunjukan official_url: http://repository.isi-ska.ac.id referencetext: Banoe, Pono. 2003. Kamus Musik. Jakarta: Kanisius Press. Budiarti, Muriah. 2013. “Konsep Kepesindenan Dan Elemen-Elemen Dasarnya.” Harmonia: Journal of Arts Research and Education 13 (2): 147–56. https://doi.org/10.15294/harmonia.v13i2.2781. Darsomartono, S. 2020. Sulukan Wayang Purwa Cengkok Mangkunegaran. Surakarta: Garudhawaca. Hastanto, Sri. 2009. Konsep Pathet Dalam Karawitan Jawa. Program Pascasarjana bekerja sama dengan ISI Press Surakarta. Martapangrawit. 1972. “Pengetahuan Karawitan 1.” Surakarta. ———. 1973. Titilaras Cengkok-Cengkok Genderan Dengan Wiletannya. Surakarta: Akademi Seni Karawitan Indonesia. ———. 1975. “Pengetahuan Karawitan II.” Surakarta. Martopangrawit. 1973. D. Surakarta: Akademi Seni Karawitan Indonesia. Martopangrawit, L R. 1975. Pengetahuan Karawitan. ASKI. Miller, Hugh M. 2017. Apresiasi Musik. Edited by Sunarto. 1st ed. Jogjakarta: Panta Rhei Books. Mustika, Ema Mega, and Djoko Purwanto. 2021. “Garap Gembyang Dan Kempyung Dalam Genderan Gaya Surakarta.” Keteg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi 20 (2): 106–19. https://doi.org/10.33153/keteg.v20i2.3545. Pambayun, Wahyu Thoyyib. 2020. “Garap Genderan Dalam Gending Lampah Tiga.” Keteg, Jurnal Pengetahuan, Pemikiran, Dan Kajian Tentang “Bunyi” 20 (2): 120–30. https://doi.org/https://doi.org/10.33153/keteg.v20i2.3569. Parsono. 1972. Diktat Menabuh Sendiri Gender. Surakarta: Konservatori Karawitan Indonesia Surakarta. ———. 2018. Diktat Menabuh Sendiri Gender. Edited by Djoko Purwanto. Purwanto, Djoko. 2020a. Gender Barung: Perspektif Organologi, Teknik, Dan Fungsi Dalam Karawitan Gaya Surakarta. 1st ed. Surakarta: ISI Press. ———. 2020b. Gendèr Barung: Perspektif Organologi, Teknik, Dan Fungsi Dalam Karawitan Gaya Surakarta. Gender Barung. Surakarta: ISI Press. Sosodoro, R.J.Bambang. 2006. “Wacana Pathetan.” Keteg: Jurnal Pengetahuan, Pemikiran Dan Kajian Tentang Bunyi 6 (2): 69–87. Sudarko. 2008. Pakeliran Padat. Universitas Michigan: Citra Etnika. Sumarsam. 1975. Gender Barung, Its Technique and Function in the Context of Javanese Gamelan. New York: Cornell University Prees. ———. 2002. Hayatan Gamelan: Kedalaman Lagu, Teori, Dan Perspektif. Surakarta: STSI Press. ———. 2020. Hayatan Gamelan: Kedalaman Lagu, Teori Dan Perspektif. 2nd ed. Yogyakarta: Penerbit Gading. Supanggah, Rahayu. 2002. Bothekan Karawitan I. Jakarta: Masyarakat Seni Pertunjukan Indonesia. ———. 2009. Bothekan Karawitan II: Garap. Surakarta: ISI Press Surakarta. Waridi. 2006. Karawitan Jawa Masa Pemerintahan PB X: Perspektif Historis Dan Teoritis. Surakarta: ISI Press Solo. Weiss, Sarah. 1993. “Gender and Gender: Gender Ideology and the Female GenderPlayer in Central Java.” Rediscovering the Muses: Women’s Musical Traditions, 21–48. ———. 1998. Paradigms and Anomalies: Female-Style Genderan and the Aesthetics of Central Javanese Wayang. New York University. ———. 2006. Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java. Leiden: KITLV Press. ———. 2011. “Analyzing Grimingan: Seeking Form, Finding Process.” Analytical Approaches to World Music 1 (1): 28–47. Berita berjudul “Sebanyak 33 Individu, Komunitas dan Lembaga Terima Anugerah Kebudayaan 2020” (link:https://www.kompas.id/baca/dikbud/2020/12/05/sebanyak-33-individukomunitas- dan-lembaga-terima-anugerah-kebudayaan-2020) diakses 9 Mei 2022 Artikel populer berjudul “Mbah Kris, Perempuan 75 Tahun yang Hidup demi Seni Tradisional” (Link:https://lifestyle.kompas.com/read/2018/07/23/160000120/mbah-krisperempuan- 75-tahun-yang-hidup-demi-seni-tradisional?page=all) diakses 9 Mei 2022 Artikel populer berjudul “Kesetian pada Seni Karawitan” (Link:https://koran.tempo.co/read/seni/455094/mbah-pringgo-setia-pada-senikarawitan? utm_source=headtopics&utm_medium=news&utm_campaig n=2020-07-08) diakses 10 Mei 2022 Video Berjudul “Mbah Pringgo ‘Setia’ Mengabdi Tanpa Batas” di kanal youtube Budaya Saya (link: https://www.youtube.com/watch?v=9DatGALzk48) diakses tanggal 10 Mei 2022 citation: Pambayun, Wahyu Thoyyib and Siswanto, Bambang and Muzaki, Dwiki Akhsan (2022) GENDERAN ADA-ADA NGOBONG DUPA GAYA SUMIYATI: ANALISIS TEKNIK, POLA DAN DINAMIKA. Project Report. Institut Seni Indonesia Surakarta, Surakarta. (Unpublished) document_url: http://repository.isi-ska.ac.id/7551/1/6.%20Laporan%20Akhir%20-%20Pemula%20-%20Wahyu%20Thoyyib%20Pambayun%20-%20Copy.pdf