eprintid: 7324 rev_number: 6 eprint_status: archive userid: 26 dir: disk0/00/00/73/24 datestamp: 2025-05-23 06:46:59 lastmod: 2025-05-23 06:46:59 status_changed: 2025-05-23 06:46:59 type: thesis metadata_visibility: show creators_name: Setianingsih, Mei title: BENTUK PERTUNJUKAN TEATER TRADISIONAL SRANDUL LAKON COKROYUDHA MANTU ispublished: unpub divisions: sch_eng full_text_status: public keywords: Form, Srandul, Traditional Theater, Cokroyudha Mantu abstract: Srandul art is an art that is still popular with the residents of Dukuh Sarap. Besides as an expression of entertainment, Srandul holds the value of life, spectacle and guidance. Objective This research describes the form of the Srandul play Cokroyudha Mantu performance. Theory the structure and texture proposed from Kernodle are used as deep analysis this research. The results of the research show that Srandul play Cokroyudha Mantu has structure and texture that still maintains existing standards. Srandul play Cokroyudha Mantu gave rise to the names of six figures, namely Cokroyudha, Dadungawuk, Roro Manis, Roro Wilis, Woro Ganyong, Cokrosudarmo. The dance consists of monotonous movements to the left and to the right with gloves and napkins. The obligatory song is patalon opener and each appearance of a character is accompanied by Parikan or Javanese rhyme. Form of performance The play Cokroyudha Mantu has a progressive plot structure. Characters in the play Cokroyudha Mantu is analyzed through physiology, sociology and psychology obtained from dialogue analysis and the actors, the theme in Srandul's play Cokroyudha Mantu is greed or greed that brings disaster and the spectacle contained in Srandul in the form of movement dance, special music, make-up and clothing, stage, atmosphere created through music patalon opener. Keywords : Form, Srandul, Traditional Theater, Cokroyudha Mantu date_type: published pages: 63 institution: ISI Surakarta department: FSP thesis_type: s1 thesis_name: ssn official_url: http://repository.isi-ska.ac.id/ referencetext: DAFTAR PUSTAKA Cahyaningrum Dewojati. 2010. Drama, Sejarah, Teori, Dan Penerapannya. Yogyakarta: Gadjah Mada University Press J.Van Bal. 1988. Sejarah dan Pertumbuhan Teori Antropologi Budaya. Jakarta: PT Gramedia. Syam, Nur. 2006. Mazhab-Mazhab Antropologi. Yogyakarta: PT Lks Pelangi Aksara. Koentjaraningrat. 1990. Sejarah Teori Antropologi 1I. Jakarta: Universitas Indonesia. Harsojo. 1996. Pengantar Antropologi. Jakarta: Binatjipta Haviland, Wiliam A. 1988. Antropologi. Jilid 1 Terjemahan R.G Sukardjo. Jakarta: Erlangga. Herawati, Nina.2017. "Bentuk dan Fungsi Pementasan Lakon Dhadung Awuk Dalam Teater Tradisional Srandul Oleh Kelompok Sedya Rukun Bokoharjo, Prambanan, Sleman." Skripsi S-1 Jurusan Teater Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta. Kernodle George,Portia Kernodle. 1978. Invitation to the Theatre. Brief Second Edition, New York: Harcourt Brace Javanovic, Inc. Koentjaraningrat. 1981. Pengantar Antropologi. Jakarta : Aksara Baru. Kuntowijoyo, Naniek K. & Abubakar, Humam. 1987. Tema Islam Dalam Pertunjukan Rakyat Jawa Kajian Aspek Sosial, Keagamaan, dan Kesenian. Yogyakarta: Proyek Penelitian dan Pengkajian Kebudayaan Nusantara (Javanologi) Direktorat Jenderal Kebudayaan Departemen Pendidikan dan Kebudayaan. Moleong, Lexy J.2012. Metodelogi Penelitian Kualitatif .Bandung: Remaja Rosdakarya. Muflikah, Zakiyatun. 2014. “ Nilai- Nilai Pendidikan Islam Dalam Budaya Tari Srandul Di Desa Kedungombo Baturetno Kabupaten Wonogiri Provinsi Jawa Tengah.” Skripsi S-1 Program Studi Pendidikan Agama Islam Fakultas Agama Islam Universitas Muhammadiyah Surakarta. citation: Setianingsih, Mei BENTUK PERTUNJUKAN TEATER TRADISIONAL SRANDUL LAKON COKROYUDHA MANTU. S1 thesis, ISI Surakarta. document_url: http://repository.isi-ska.ac.id/7324/1/SKRIPSI.MEI.OK.pdf