eprintid: 7232 rev_number: 7 eprint_status: archive userid: 26 dir: disk0/00/00/72/32 datestamp: 2025-04-15 07:54:45 lastmod: 2025-04-15 07:54:45 status_changed: 2025-04-15 07:54:45 type: thesis metadata_visibility: show creators_name: Suryanti, Endang Puji title: ESTETIKA NGUDARASA PADA SENI PERTUNJUKAN KETHOPRAK BALEKAMBANG LAKON KEN AROK SKRIPSI KARYA ILMIAH ispublished: unpub subjects: AZ divisions: sch_eng full_text_status: public keywords: aesthetics, ngudarasa, Kethoprak, traditional performances, culture abstract: The research entitled "Aesthetics of Ngudarasa in the Kethoprak Balekambang Performance of the Play Ken Arok" analyzes the aesthetics contained in one of the scenes in the Kethoprak performance, namely ngudarasa. The problems raised are: (1) why the ngudarasa scene is conveyed in the Balekambang Kethoprak performance of Ken Arok's play and (2) how the ngudarasa scene is conveyed in the Balekambang Kethoprak performance of Ken Arok's play. The aesthetics of the ngudarasa scene are analyzed using the 3L (lagak, lagu, lageyan) concept. This research uses qualitative methods, with data collection techniques through observation, documentation, interviews and literature study. The results of this research show that through aesthetic research on the ngudarasa scene, new insights into the cultural richness and values contained therein will be opened. In the context of Javanese culture, the ngudarasa scene is an important medium for exploring and understanding the various internal conflicts of the characters in the main theme of the story. This research contributes to a deeper understanding of traditional Javanese performing arts, but can also help preserve and appreciate this cultural heritage. date: 2024-07-19 date_type: published pages: 31 institution: ISI Surakarta department: FSP thesis_type: s1 thesis_name: ssn official_url: http://repository.isi-ska.ac.id/ referencetext: DAFTAR PUSTAKA Afifah, Evie Nur. 2014. “Seni Ketoprak Di Era Modernisasi (Studi Kasus Di Lingkungan Balekambang Kodya Surakarta)”. Jurnal Fakultas Keguruan dan Ilmu Pendidikan Universitas Sebelas Maret Surakarta. Dewojati, Cahyaningrum. 2010. Drama, Teori, Sejarah, dan Penerapannya. Yogyakarta. Gajah Mada Unuversity Press. Dipoyono Achmad. 2018. “Revitalisasi Seni Pertunjukan Tradisional Ketoprak di Surakarta”. Jurnal Pengkajian dan Penciptaan Wayang Fakultas Seni Pertunjukan Institut Seni Indonesia Surakarta. Durachman, Yoyo C. 2009. Teater Tradisional dan Teater Baru. Bandung: Sunan Ambu STSI Press Bandung. Gumelar, Sanji Bagus. 2020. “Ketoprak Ngampung: Estetika Teater Kerakyatan di Surakarta”. Jurnal Seni Teater Institut Seni Indonesia Surakarta. Harymawan, RMA. 1988. Dramaturgi. Bandung: PT Remaja Rosdakarya. Iswantara, Nur. 2016. Drama: Teori dan Praktik Seni Peran. Yogyakarta: Media Kreatifa. Kayam, Umar. 1981. Seni, Tradisi, Masyarakat. Jakarta: Sinar Harapan. Lisbijanto, Herry. 2013. Ketoprak. Yogyakarta: Graha Ilmu. Lindsay, Jennifer. 1991. Klasik, Kitsch, Kontemporer: Sebuah Studi Tentang Seni Pertunjukan Jawa. Yogyakarta: Gajah Mada University Press. Mulyaningsih, Intan Fajri, Uah Maspuroh, dan Sinta Rosalina. 2021. “Budaya Matriarki Dalam Pementasan Monolog “Racun Tembakau” Karya Anton Checkov Oleh Teater Gabung Uniska (Kajian Semiotika Charles S.Pierce)”. jurnal Ilmu Pendidikan, vol. 3 5 (2021):3204-3214. Nalan, Arthurs. 2006. Teater Egaliter. Bandung: Sunan Ambu Press. citation: Suryanti, Endang Puji (2024) ESTETIKA NGUDARASA PADA SENI PERTUNJUKAN KETHOPRAK BALEKAMBANG LAKON KEN AROK SKRIPSI KARYA ILMIAH. S1 thesis, ISI Surakarta. document_url: http://repository.isi-ska.ac.id/7232/1/SKRIPSI_ENDANGPS%20.ok.pdf