eprintid: 23
rev_number: 8
eprint_status: archive
userid: 10
dir: disk0/00/00/00/23
datestamp: 2016-04-06 04:33:26
lastmod: 2016-04-06 04:33:26
status_changed: 2016-04-06 04:33:26
type: article
metadata_visibility: show
creators_name: Sumargono, Sumargono
creators_id: acintya@isi-ska.ac.id
title: Estetika Tari Gambyong Solo Minulya Karya S. Maridi
ispublished: pub
subjects: AC
divisions: sch_geo
full_text_status: public
abstract: This writing will disclose and identify the aesthetics of Gambyong Solominulya dance by applying a special attention to the analysis of dance’s elements and the ralations of one element to the others. The notation patterns of the music dance were described in detail so that it was possible to identify the tempo, laya, rhyme, musical tate and the pattern of kendangan mungkus / mlaku. The result is that we know the choreography of Gambyong Solominulya dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style, both the technique and its taste. The concept covers pacak, pancat,lulut, luwes, ulat, wiled, rhyme and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other style.
date_type: completed
publication: Jurnal Acintya
volume: 1
number: 1
publisher: ISI Surakarta
refereed: FALSE
issn: 2085-2444
official_url: http://jurnal.isi-ska.ac.id/index.php/acintya/article/view/5
citation:   Sumargono, Sumargono   Estetika Tari Gambyong Solo Minulya Karya S. Maridi.  Jurnal Acintya, 1 (1).   ISSN 2085-2444     
document_url: http://repository.isi-ska.ac.id/23/1/5