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primary topic: Estetika Tari Gambyong Solo Minulya Karya S. Maridi

Estetika Tari Gambyong Solo Minulya Karya S. Maridi
type: AcademicArticle
type: Article
abstract: This writing will disclose and identify the aesthetics of Gambyong Solominulya dance by applying a special attention to the analysis of dance’s elements and the ralations of one element to the others. The notation patterns of the music dance were described in detail so that it was possible to identify the tempo, laya, rhyme, musical tate and the pattern of kendangan mungkus / mlaku. The result is that we know the choreography of Gambyong Solominulya dance has a harmonious impression. This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing of Surakarta style, both the technique and its taste. The concept covers pacak, pancat,lulut, luwes, ulat, wiled, rhyme and gendhing which are known as hastha sawanda. This writing at least can make a contribution to the aesthetic analysis on dance of Surakarta style and possibly other style.
volume: 1
issue: 1
is part of: Jurnal Acintya
status: nonPeerReviewed
status: published
author list: authors
type: EPrint
type: ArticleEPrint
is part of: repository
has document: Estetika Tari Gambyong Solo Minulya Karya S. Maridi (Text)
has version: Estetika Tari Gambyong Solo Minulya Karya S. Maridi (Text)
has published: Estetika Tari Gambyong Solo Minulya Karya S. Maridi (Text)
subject: Tari

Estetika Tari Gambyong Solo Minulya Karya S. Maridi (Text)
type: Document
has file: 5
has part: 5

ISI Surakarta
type: Organization

Jurnal Acintya
type: Collection
issn: 20852444

Sumargono Sumargono
type: Person
given name: Sumargono
family name: Sumargono

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primary topic: Estetika Tari Gambyong Solo Minulya Karya S. Maridi

Tari
type: Concept