KONSEP SANGGIT GARAP PENOKOHAN DALAM PAKELIRAN PADAT

Nugroho, Catur (2022) KONSEP SANGGIT GARAP PENOKOHAN DALAM PAKELIRAN PADAT. Project Report. Institut Seni Indonesia Surakarta, Surakarta. (Unpublished)

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Abstract

This research departs from the assumption that sanggit “work on characterizations” is one of the important orientations in the cultivation of Pakeliran Solid. The Solid Pakeliran form has a wide, complicated, and complex space for creativity and expression when compared to conventional Pakeliran. This study aims to determine the conceptual relationship of sanggit working on characterizations in Pakeliran Solid. This is important as a stimulant for artistic research studies, especially the discussion of concepts in Pakeliran Solid. Bambang Sumantri's play, Ki Purbo Asmoro's presentation was chosen as the object of research which is considered representative of the analysis needs. The approach used is the basic concept of Pakeliran Padat, the concept of sanggit working on the play, the basic aesthetic concept of nuksma and mungguh puppetry, and the application of hermeneutical analysis. Qualitative descriptive data analysis method is carried out by observing the validity of the data. The results of the research, namely: (1) the elements of the concept of sanggit working on characterizations in solid pakeliran are divided into five, namely themes, main ideas, play titles, problems, and character backgrounds; (2) the concept of sanggit work on characterizations has a position as an important work orientation in the cultivation of solid pakeliran; (3) Sumantri's characterization in the play is seen as being able to achieve harmony between the character images that are built on the five elements of the sanggit concept, working on characterizations in solid pakeliran, so as to achieve a genuine and genuine aesthetic sense.

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