GAYA PENYAJIAN TARI BEDHAYA BEDHAH MADIUN DI PURA MANGKUNEGARAN

Sriyadi, Sriyadi (2020) GAYA PENYAJIAN TARI BEDHAYA BEDHAH MADIUN DI PURA MANGKUNEGARAN. S2 thesis, ISI Surakarta.

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Abstract

The dance that developed in Mangkunegaran basically uses the Surakarta style. During the reign of Mangkunegara VII there was the Bedhaya Bedhah Madiun dance in the Yogyakarta style. Bedhaya Bedhah Madiun dance in Mangkunegaran although basically from the Yogyakarta style bedhaya dance but has a significant difference. The thesis entitled “Gaya Penyajian Tari Bedhaya Bedhah Madiun di Mangkunegaran” aims to examine the beginnings of the existence of the Yogyakarta style Bedhaya Bedhah Madiun dance in Mangku-negaran and analyze the presentation style of it. The historical study of the Bedhaya Bedhah Madiun dance is useful to find out the chronology and its causes. Presentation style analysis is used to describe the presentation techniques and characteristics, as well as understanding the formation factors of the style. This study uses ethnochoreology approach with arshival research method. The arshival research method was chosen because it is a from of historical research that aims to describe the factors of the existence and development of the style of presentation of the Bedhaya Bedhah Madiun dance in Mangkunegaran. Data sources used are archives or documents in the form of narration or text, photos, videos, and audio recordings made from several points in the past. The arshival research method is supported by interview studies to explore the record keeping of dance artists in Mangkunegaran. The results showed that the existence of the Bedhaya Bedhah Madiun dance in Mangkunegaran was influenced by socio-political factors. The cultural interaction of marriage politics between the Pura Mangkunegaran and the Kraton Kasultanan Yogyakarta led to the absorption of the Yogyakarta style dance in Mangkunegaran. This absorption was used by Empress Mangkunegara VII to emphasize the position of her only daughter through her ability to dance bedhaya and srimpi. The Bedhaya Bedhah Madiun dance is one of the dance works which was successfully absorbed by Gusti Timur’s only daughter through the learning system at KBW. The formation of the style of presentation of the Bedhaya Bedhah Madiun dance in Mangkunegaran takes place in a process not an event. Presentation style is formed because of a problem from the inheritance system, so that it experiences significant changes. Problems come from social, political, cultural, and economic conditions. The response to these problems led to the formation of the Bedhaya Bedhah Madiun dance characteristics, although not all of the responses were positive.

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