LANA GENDHING, GENDHING KETHUK 4 KEREP MINGGAH 8: KAJIAN GARAP GENDÈR

Emhar, Atmaja Dita (2020) LANA GENDHING, GENDHING KETHUK 4 KEREP MINGGAH 8: KAJIAN GARAP GENDÈR. S1 thesis, Institut Seni Indonesia (ISI) Surakarta.

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Abstract

This artwork thesis of Lana Gendhing, Gendhing kethuk 4 kerep minggah 8: Kajian Garap Gendèr tries to explain the study of gendèran Lana Gendhing. Lana Gendhing Is a repertoire gending in Karawitan of Surakarta style. Lana Gendhing is generally presented in laras slendro pathet nem with garap inggah kendhang irama dadi. In this artwork thesis, Lana Gendhing is presented with existing various innovations in the tradition in karawitan of Surakarta style, such as: alih laras, mandheg, garap ciblon irama wiled, and rangkep. The study focused in the gendèran analysis which includes the interpretation of céngkok and wiledan in the process until the documenting of Lana Gendhing, gendhing kethuk 4 kerep minggah 8. The artwork research is a qualitative research. The approach method used to dissect problem in the study is literature review, observation, and interview. Several karawitan methods, concepts, and theories are used in the idea of the garap gendhing. Several concepts and theories that used in this research are Garap Concept, Alih Laras Concept, Pathet Concept in Java Karawitan, and Mandheg Concept in Karawitan of Surakarta style. The result of this research is that the change of laras in a gending could change the characteristic and rasa of the gending. Lana Gendhing, gendhing kethuk 4 kerep minggah 8 could be changed into laras pélog pathet nem. In the process of alih laras, there are several new garap offers that could be implemented on Gendhing Lana such as garap ciblon wiled, rangkep, and mandheg. From thhis experiment, if presented in laras sléndro pathet nem, characteristics of the Lana Gendhing are regu, amteb, and wibawa. Meanwhile, the charateristics changed to be bérag, prenes, and gagah after the laras being changed into laras pélog pathet nem.

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