GARAP REBAB: DANARAJA, GENDHING KETHUK 4 AWIS MINGGAH 8 LARAS SLENDRO PATHET SANGA

Prasetyo, Prasetyo (2019) GARAP REBAB: DANARAJA, GENDHING KETHUK 4 AWIS MINGGAH 8 LARAS SLENDRO PATHET SANGA. S1 thesis, Institut Seni Indonesia (ISI) Surakarta.

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Abstract

The artwork thesis attempts to present and analyze the constraints of the works on the fiddle with the vocabular sequence of gending: danaraja and wilujeng alus. The two problems raised in this art paper are: (1) how to deal with the trends in each of the compositions; and (2) why are the two repertoire compositions presented sequentially in one unit, working on karawitan? These two problems are examined based on musical rules, the concept of pathet, and the concept of the padang ulihan. The research data was collected through literature studies, document studies, and interviews with a number of musisian. The results showed that Gendhing danarja and Ladrang wilujeng alus had different shapes and types. Each of these compositions in addition to having its own character and taste, also has a type, cengkok, wiledan and different taste. The different characters of music and music are combined in one order sequence, intended to produce shapes, types, céngkok, a variety of tastes that are varied in one musical concert unit.

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