Spiritualitas Budaya Jawa dalam Seni Tari Klasik Gaya Surakarta

Pamardi, Silvester and Haryono, Timbul and Soedarsono, R.M. and Kusmayati, A.M. Hermien (2014) Spiritualitas Budaya Jawa dalam Seni Tari Klasik Gaya Surakarta. Jurnal Panggung, 24 (2). pp. 198-210. ISSN 0854 - 3429

Text 118 - Published Version Download (36kB)

Abstract

Javanese classical dance has grown dynamically in line with the history of the palaces in Central Java, especially after the fifteenth century that began in the era of the kingdom of Demak. It has lived and thrived in the court of Mataram Islam since the period of Panembahan Senapati at Kotagede, the time of Sultan Agung in the palace Plered, until the moving of the palace of Mataram to Kartasura. This research methods is focused on the use of qualitative data with the questions of 'why' and 'how' to unravel the mystery behind of the phenomenon. This actions are carried out with approach of multidisciplinary such as science of history, social science, and choreography. The events of Gianti agreement in 1755 did not give only influence and impact on the power of the king of Mataram to had to be split into two regions, namely the region of Surakarta and Yogyakarta Sultanate region, but also had implications to the life of Javanese culture. The culture of Javanese which was originally derived from the one kingdom, namely Mataram Kasunanan, then divided into two styles, namely Javanese culture of Surakarta and Yogyakarta. Fortunately, in the palace of Kasunanan Surakarta as well as in the Kasultanan Yogyakarta palace is still being developed classical Javanese arts based on cultural and adiluhung values; respectivelly developed in the different patterns or styles. The values of spiritual 'Javanese' is remained as a source of reference.

Actions (login required)

View item