Supriyanto, Eko (2018) Tubuh Tari Indonesia Sasikirana Dance Camp 2015-2016. Jurnal Panggung, 28 (2). pp. 175-187. ISSN 0854 - 3429
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Abstract
Sardono W. Kusumo, an Indonesian dance master and choreographer, once stated that the way to understand dance should start with the study of embodiment before moving to the study of dance in its performative art form. A dancer should be able to process his/her dance by recognizing the complexity of the body and the nerves system and muscles through a creative process, resulting a confi dent work of performing arts. Through a historical perspective and based on the theory of embodiment, this article tries to convince that dance needs to stand as a repository of cultural memories and therefore is able to represent the habitus of Indonesian dancers. A comprehensive evaluation of the development of Indonesian Dance Festival (IDF) and Sasikirana Dance Camp (SDC) is used as real evidences of how this form of the arts must put forward physical approaches fi rst before creating a reasonable discourse to the acts.
Type: | Article |
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Not controling keyword: | Dance Camp, choreographylab, embodiment |
Subject: | 1. ISI Surakarta > Tari |
Divisions: | Faculty of Performance Arts > School of Dance |
User deposit: | UPT. Perpustakaan |
Datestamp: | 22 Jun 2018 07:49 |
Last mod: | 22 Jun 2018 07:49 |
URI: | http://repository.isi-ska.ac.id/id/eprint/2426 |
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