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	<meta name="DC.Description" xml:lang="en" content="  Wayang kulit is  a  representation of human life since the birth       until the death which is presented in patMt (musical concept or       musical atmosphere). Sulukan is an important medium and it is the       &quot;soul&quot; of the performance. Sulukan is divided into three: patMtan       (songs of the puppeteer accompanied by small gamelan ensemble),       senanon (the same genre  as  sulukan with specific musical effect), and       ada-ada (songs of the pupetteerto present tense atmospheres). Texts       used in sulukan are tembang gedhe (songs with long phrases),       tembang tengahan (songs with medium phrases), and tembang       macapat (songs with short phrases), those are different from other       songs. For that reason, the structure of sulukan is like that of       tembang in which rules are used. In sulukan there is kombangan       (songs with &quot;vocal&quot; expression rather than consonant) usually with the       word (long.  &quot;  The kombangan becomes the special character of the       wayang kulit. Musically speaking, the kombangan is the &quot;intermission&quot;       between phrases. The texts relate to the social life and they are       contained in the texts of the sulukan; the contents of the sulukan are:       education of life, ethics, and mysticism in Javanese life.     Keywords: Sulukan, fleksible musical, wayang kulit.   "/>
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	<div id="articleTitle"><h3>FLEKSIBILlTAS MUSIKAL SULUKAN GAYA SURAKARTA</h3></div>
	<div id="authorString"><em>Suyoto Suyoto</em></div>
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		<h4>Abstract</h4>
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		<div><p><em>Wayang kulit is </em>a <em>representation of human life since the birth </em><em><br /></em><em>until the death which is presented in patMt (musical concept or </em><em><br /></em><em>musical atmosphere). Sulukan is an important medium and it is the </em><em><br /></em><em>"soul" of the performance. Sulukan is divided into three: patMtan </em><em><br /></em><em>(songs of the puppeteer accompanied by small gamelan ensemble), </em><em><br /></em><em>senanon (the same genre </em>as <em>sulukan with specific musical effect), and </em><em><br /></em><em>ada-ada (songs of the pupetteerto present tense atmospheres). Texts </em><em><br /></em><em>used in sulukan are tembang gedhe (songs with long phrases), </em><em><br /></em><em>tembang tengahan (songs with medium phrases), and tembang </em><em><br /></em><em>macapat (songs with short phrases), those are different from other </em><em><br /></em><em>songs. For that reason, the structure of sulukan is like that of </em><em><br /></em><em>tembang in which rules are used. In sulukan there is kombangan </em><em><br /></em><em>(songs with "vocal" expression rather than consonant) usually with the </em><em><br /></em><em>word (long. </em>" <em>The kombangan becomes the special character of the </em><em><br /></em><em>wayang kulit. Musically speaking, the kombangan is the "intermission" </em><em><br /></em><em>between phrases. The texts relate to the social life and they are </em><em><br /></em><em>contained in the texts of the sulukan; the contents of the sulukan are: </em><em><br /></em><em>education of life, ethics, and mysticism in Javanese life.</em></p><p><strong><em>Keywords: Sulukan, fleksible musical, wayang kulit.</em></strong></p></div>
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