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	<title>TARI BEDAYAN PADEPOKAN TUGUREJO DI DESA SRAGI KECAMATAN TALUN KABUPATEN BLITAR SEBAGAI EKSPRESI KOMUNITAS | Astuti | Greget</title>
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	<meta name="DC.Description" xml:lang="en" content="  The performance of the Bedayan Dance of PadepokanTugurejois an example of an art form    from Padepokan Tugurejo which continues to exist today. The Bedayan Dance of    PadepokanTugurejo, which has a duration of 30 minutes, is a tool or bridge for the community of    Padepokan Tugurejo to channel their own individual expression of the soul. The questions addressed in the research, amongst others, are what is the form of the Bedayan Dance of    PadepokanTugurejo and why is the expression of the community formed through this dance. The    method used to answer these questions is a qualitative descriptive research method in which the    data was collected through the steps of direct observation, interviews, and a library study. The    theoretical foundation used is based on the theories of Y.SumandyoHadiandStephanieRoss. The    results of the research show that the lack of interest among the young generation in the continuation of this art form means that the performance of this art continues to be given by members of    the older generation. Through the Bedayan Dance of PadepokanTugurejo, it is possible to form the    expression of the soul of the artists from PadepokanTugurejo.    Keywords:Bedayan PadepokanTugurejo, Form of Performance, Expression, Community.              "/>
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	<div id="articleTitle"><h3>TARI BEDAYAN PADEPOKAN TUGUREJO DI DESA SRAGI KECAMATAN TALUN KABUPATEN BLITAR SEBAGAI EKSPRESI KOMUNITAS</h3></div>
	<div id="authorString"><em>Windari Astuti</em></div>
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		<h4>Abstract</h4>
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		<div><em>The performance of the Bedayan Dance of PadepokanTugurejois an example of an art form</em><br /><em>from Padepokan Tugurejo which continues to exist today. The Bedayan Dance of</em><br /><em>PadepokanTugurejo, which has a duration of 30 minutes, is a tool or bridge for the community of</em><br /><em>Padepokan Tugurejo to channel their own individual expression of the soul. The questions addressed in the research, amongst others, are what is the form of the Bedayan Dance of</em><br /><em>PadepokanTugurejo and why is the expression of the community formed through this dance. The</em><br /><em>method used to answer these questions is a qualitative descriptive research method in which the</em><br /><em>data was collected through the steps of direct observation, interviews, and a library study. The</em><br /><em>theoretical foundation used is based on the theories of Y.SumandyoHadiandStephanieRoss. The</em><br /><em>results of the research show that the lack of interest among the young generation in the continuation of this art form means that the performance of this art continues to be given by members of</em><br /><em>the older generation. Through the Bedayan Dance of PadepokanTugurejo, it is possible to form the</em><br /><em>expression of the soul of the artists from PadepokanTugurejo.</em><br /><em>Keywords:Bedayan PadepokanTugurejo, Form of Performance, Expression, Community.</em><br /></div>
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