Dewi, Ni Luh Made Kartika Ratna (2015) PERTUNJUKAN KABARET OYOT GODHONG DI MIROTA BATIK YOGYAKARTA. Jurnal Greget, 14 (1). pp. 66-77. ISSN 1412-551X
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Abstract
The research entitled “The Performance of Oyot Godhong Cabaret in Mirota Batik Yogyakarta” is in the form of a qualitative descriptive analysis which uses a creative approach. The goal of the research is to describe analytically the form of the performance and the creative work of all those who support the Oyot Godhong Cabaret in Miroto Batik Yogyakarta. By applying a qualitative method with an analytical descriptive approach, the research findings show that the performance of the Oyot Godhong Cabaret is in the form of a dance and musical performance which is performed mainly by transgender artists with a group of backing dancers who present a group composition with many variations. The structure of the performance consists of an opening(traditional Javanese) dance, which is separate from the main part of the performance. This is followed by the opening section of the Cabaret and the main performance, which is mainly performed using lip-synch, and the final section. The mood of the performance is lively, joyful,and interspersed with laughter. Based on the characteristics and entertaining nature of the performance, Oyot Godhong Cabaret may be described as a form of Kitsch performance. Keywords: Cabaret, Transgender, and Creativity.
Type: | Article |
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Not controling keyword: | Cabaret, Transgender, Creativity |
Subject: | 1. ISI Surakarta > Tari |
Divisions: | Faculty of Performance Arts > School of Dance |
User deposit: | UPT. Perpustakaan |
Datestamp: | 02 Aug 2017 06:28 |
Last mod: | 02 Aug 2017 06:28 |
URI: | http://repository.isi-ska.ac.id/id/eprint/1470 |
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