Perspektif Dalam Seni Lukis Tradisi Indonesia

Agung Purnomo

Abstract


Traditional painting Indonesia like wayang beber and of a kind represent 
one of form "genius local" a success expand according to requirement a period of 
the Cultural product tidy efficient considerabfy practical and with elements which, is 
easy to be arrested and permeated to later, then digested by space think its prop 
socie(y of that moment.

Visual form of traditional painting of The Indonesia it careful there is an 
problems hit is "in perpective" because in laying open form an obyek do not seen 
realisitis as perception of human being to real obyek-obyek. To remove "picture" 
natural and above its contents an media as area draw realisticallY and have " 
dimension to three" needed by knowledge hit is in perpective.

Do not there are in perpective element at traditional painting ~l rasse 
Indonesia by elementary matter about  way of perceiving an obyek which thry see is 
everydqy. Way of idioplasitik approach so central form the condition of think concept 
in creating a painting, so that thry are in paint crystal clear take no account of in 
perpective element which is often used in visioplastis think framework

Keyword: Art Paint Tradition, Perspektif


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